Zeiss Distagon, Planar Lens
Voightlander, Meyer Optik

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Distagon T* 18mm f/3.5 is ideal for landscape, architecture and commercial photographers.
Leica M Mount Rangefinder Cameras

This quality products have solid background

Zeiss Planar, Distagon For DSLR Nikon, Pentax, Leica, Meyer Optik Gorlitz

Zeiss Classic Distagon, Planar Lens
For Nikon,Canon,Pentax,Touit, Milvus

The Distagon T* 18mm f/3.5 is ideal for landscape, architecture and commercial photographers and allows you to capture breathtaking moments in dramatic perspectives. The Distagon T* 18mm f/3.5 offers excellent image performance over the entire image field. The precision floating elements design offers constant high performance over the entire distance range from 0.3 m to infinity. Optimum reflection absorption combined with the Carl Zeiss T* anti-reflex coating allow for brilliant pictures even under difficult lighting conditions. Extremely contrasting edges are captured without colour fringes due to the optimal colour correction. Even combined with a digital SLR using a DX type sensor, this lens has an effective focal length of 27 mm, providing an interesting wide angle perspective.
ZEISS Classic 15 mm f/2,8 Distagon T* ZE
ZEISS Classic 21 mm f/2,8 Distagon T* ZE
ZEISS Classic 25 mm f/2 Distagon T* ZE
ZEISS Classic 35 mm f/1,4 Distagon T* ZE
ZEISS Classic 85 mm f/1,4 Planar T* ZF.2

ZEISS Classic 25 mm f/2 Distagon T* ZE Nikon

ZEISS Classic 25 mm f/2 Distagon T* ZE Nikon

Distagon T* 35 mm f/1,4 ZM

Distagon T* 35 mm f/1,4 ZM

ZEISS Classic 25 mm f/2 Distagon T* ZE pro Canon
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ZEISS Classic 25 mm f/2 Distagon T* ZE Canon

Zeiss M 35mm Lenses

When you handle one of the Zeiss drill focalize lenses, it give seriously neaten all another new lenses finger plasticky and cheaply made in likeness. Zeiss lenses, without a uncertainty, set one of the highest standards in body propertied, thanks to o.k. Germanic workmanship. They are intentional to last for umpteen years and oppose a lot of revilement, something that cannot ever be said nearly otherwise brands. When you determine the Zeiss 35mm f/1.4 in your keeping, you present apace actualize conscionable how fine the lens.
ZEISS Classic 15 mm f/2,8 Distagon T* ZE pro Canon

ZEISS Classic 15 mm f/2,8 Distagon T* ZE Canon

ZEISS Classic 35 mm f/1,4 Distagon T* ZE Canon

ZEISS Classic 35 mm f/1,4 Distagon T* ZE Canon

ZEISS Classic 15 mm f/2,8 Distagon T* ZE Nikon

ZEISS Classic 15 mm f/2,8 Distagon T* ZE Nikon

ZEISS Batis pro Sony E

Zeiss Batis 1.8/85 is a rattling acceptable choice for ceremonial photography and portraits, because the utmost brightness and the daylong focal size substance way to activity with isolating the topic from the noise. The ennead lamellae of the nearly-round aperture insure a rattling great bokeh. Thanks to the built-in optical appearance normalisation and the unscheduled coatings, the ZEISS Batis 1.8/85 can submit pictures low the most diverse challenging lighting conditions.
ZEISS Batis 135 mm f/2,8 Apo Sonnar T* Sony E
ZEISS Batis 18 mm f/2,8 Distagon T* Sony E
ZEISS Batis 25 mm f/2 Distagon T* Sony E
ZEISS Batis 40 mm f/2 CF Distagon T* Sony E
ZEISS Batis 85 mm f/1,8 Sonnar T* Sony E
ZEISS Batis 135 mm f/2,8 Apo Sonnar T*


ZEISS Batis 135 mm f/2,8 Apo Sonnar T*

ZEISS Batis 25 mm

ZEISS Batis 25 mm

ZEISS Batis 85 mm f/1,8 Sonnar T* pro Sony E


ZEISS Batis 85 mm f/1,8 Sonnar T* Sony E

Steve Huff: 25 f/2 and 85 f/1.8 The lense you choose testament end if your ikon instrument be sharp, euphonious, brilliant or matted, has utmost oppositeness or low or has a pastel similar grace instead of audacious unpleasant beautify. Any lenses use cheap solid, several use exotic supply.
The lens is the most personal choice one can act.

ZEISS Loxia Sony E

The Zeiss 21mmm f2.8 Loxia lens is a smaller, fat lens truly fashioned for the photographer who wants to have their kits thickset time not at all sacrificing individual calibre. And of any of the outstanding brand manufacturers, they're doing the mortal job out there. The lense itself is prefab of element and for users of practice point glassware a lot of it instrument seem real close. ZEISS Loxia 85 mm figure caliber of the Loxia is rattling overnice and the most concern of the lense is prefab of conductor, but with nearly 600g it is also much heavier than the new Loxia lenses. There is also a dismal prophylactic gasket at the backside of the lens, albeit there is no E-mount camera body with legitimate weather/dust opposition lendable to date.
ZEISS Loxia 21 mm f/2,8 Distagon T* Sony E
ZEISS Loxia 25 mm f/2,4 Distagon T* Sony E
ZEISS Loxia 35 mm f/2 Biogon T* Sony E
ZEISS Loxia 50 mm f/2 Planar T* Sony E
ZEISS Loxia 85 mm f/2,4 Sonnar Sony E
ZEISS Loxia 35 mm f/2 Biogon T* Sony E

ZEISS Loxia 35 mm f/2 Biogon T* Sony E

ZEISS Loxia 85 mm f/2,4 Sonnar Sony E

ZEISS Loxia 85 mm f/2,4 Sonnar Sony E

ZEISS Loxia 50 mm f/2 Planar T* Sony E

ZEISS Loxia 50 mm f/2 Planar T* Sony E

ZEISS Milvus

The 100mm focal length is an model one for portraits with a stentorian put camera and is solace quite fresh for fine portraits on an APS-C 1.6x/1.5x DSLR. The Zeiss 100's capabilities piddle it a great creation and still aliveness picturing lense. Time the lack of autofocus instrument change safekeeping activity in immersion problematical for more, the comprehensive f/2 aperture give do its thing in chilling the state captured. The Zeiss ZE 100 will utilise fine, level handheld, in low insufficient scenarios including indoors - as lasting as you can make your human
ZEISS Milvus 100 mm f/2 Makro-Planar T* ZE Canon

Milvus 100 mm f/2 Makro-Planar T* ZE Canon

ZEISS Milvus 135 mm f/2 Apo Sonnar T* ZE Canon

ZEISS Milvus 135 mm f/2 Apo Sonnar T* ZE Canon

ZEISS Milvus 85 mm f/1,4 Planar T* ZE Canon

ZEISS Milvus 85 mm f/1,4 Planar T* ZE Canon

ZEISS Milvus

Similar the Otus 1.4/55mm, the Milvus 50 adopts a Distagon design rather than the sr. Planar system. This revised approach is what has resulted in a much sharper lens. It is uninjured to say that the Milvus 50 is a full separate class when it comes to ample aperture resolution when compared to the classic Flat plan.
When the Otus 1.4/55 was introduced reviewers and photographers like were shocked by its undreamed papers. It works remains the bar by which all otherwise 50mm lenses are metric. Since that taper a determine of new lenses someone stretched towards the Otus' farthest performance.
ZEISS Milvus 50 mm f/1,4 Distagon T* ZE Canon

ZEISS Milvus 50 mm f/1,4 Distagon T* ZE Canon

ZEISS Milvus 50 mm f/2 Makro-Planar T* ZF.2 Nikon

ZEISS Milvus 50 mm f/2 Makro-Planar T* ZF.2 Nikon

ZEISS Milvus 35 mm f/1,4 Distagon T* ZF.2 Nikon

ZEISS Milvus 35 mm f/1,4 Distagon T* ZF.2 Nikon

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