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Lenses for DSLR Cameras three product lines Art

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Carl Zeiss Planar, Distagon For DSLR Nikon, Pentax, Leica, Meyer Optik Gorlitz

Sigma Art Series

One of the focal points in the Sigma Art line, the Sigma 35mm f/1.4 is perfect for studio, scene, structural, and submerged photography. Its F low scattering (FLD) and Special Low Dispersion (SLD) glass components wipe out shading variation, bringing about photographs with consistent with life hues. Likewise, you'll accomplish sharp and point by point pictures down to the most impenetrable corners of your subject.

This Sigma focal point for Canon DSLR cameras has an opening estimation of f1.4 that, when joined with the correct camera, enables you to take dazzling wide-edge photographs that are free of bluntness and bending. It additionally has an adjusted stomach to enable you to accomplish that eye-getting obscure impact.
SIGMA 35 mm f/1,4 DG HSM Art Canon
SIGMA 35 mm f/1,4 DG HSM Art Nikon
SIGMA 35 mm f/1,4 DG HSM Art Sony A
SIGMA 35 mm f/1,4 DG HSM Art Sony E

SIGMA 35 mm f/1,4 DG HSM Art Canon

SIGMA 35 mm f/1,4 DG HSM Art Canon

SIGMA 35 mm f/1,4 DG HSM Art Sony E

SIGMA 35 mm f/1,4 DG HSM Art Sony E

SIGMA 35 mm f/1,4 DG HSM Art Nikon

SIGMA 35 mm f/1,4 DG HSM Art Nikon

SIGMA 24-105 mm

Sigmas 24-105mm f/4 DG OS HSM Art focal point is a top notch focal point intended for full edge cameras, despite the fact that it can likewise be utilized on cameras with APS-C sensors. As a Workmanship focal point, its intended to offer refined optical execution' and address the issues of innovative picture takers. It is accessible in mounts for Canon, Nikon, Sigma and Sony, the last without adjustment as Sony Alpha DSLRs have body-coordinated adjustment.
Indeed, even at f/4, the Sigma 24-105mm f/4 OS Art is still entirely astounding at 24mm. That inside sharpness truly stunned me. Something else this is a 24-105mm f/4 picture balanced out focal point that as great or better optically as any of the others.
SIGMA 24-105 mm f/4 DG OS HSM Art Canon
SIGMA 24-105 mm f/4 DG OS HSM Art Nikon
14-24mm f/2.8

SIGMA 24-105 mm f/4 DG OS HSM Art

Sigma 85mm f/1.4 DG HSM

Sigma asserts the utilization of a 'SLD' (unique low scattering) and 'glass form' component in the plan of the focal point. The Sigma 85mm F/1.4 HSM says 'made in Japan'. The Sigma 85mm F/1.4 HSM utilizes a center structure that moves the back optical gathering somewhat outside the mount at interminability, in this way, don't set the focal point base down without a back focal point top when set to boundlessness or the back component will reach the surface, and will wobble around. The focal point doesnt stretch out like the Sony when centering. The Sigma catch territory is marginally less than the Sony adaptation, which can be found in the correlation crops at the base of the page.
SIGMA 85 mm f/1,4 DG HSM Art Canon
SIGMA 85 mm f/1,4 DG HSM Art Nikon
SIGMA 85 mm f/1,4 DG HSM Art Sony E
SIGMA 85 mmT1,5 FF EF-mount
SIGMA 85 mm T1,5 FF EF-mount

SIGMA 85 mmT1,5 FF EF-mount

SIGMA 85 mm f/1,4 DG HSM Art Nikon>
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SIGMA 85 mm f/1,4 DG HSM Art Nikon

SIGMA 85 mm f/1,4 DG HSM Art Sony E


SIGMA 85 mm f/1,4 DG HSM Art Sony E

Sigma 24mm f/1.4 DG HSM
Indoor Photography

Vignetting can be amended in post handling with the punishment being extra commotion appearing in the enhanced segments of the picture circle. The underlying catch splendor can likewise be expanded insofar as no channels (RGB) are blown in the focal point of the casing. The focal point of more brilliant picture would then be able to be made obscured in post, staying away from the clamor punishment. Another vignetting issue all the more straightforwardly identified with games photography is trimming. Trimming is required all the more frequently when shooting sports with a prime focal point and editing into solid vignetting.
Picture adjustment isnt highlighted on this focal point or some other f/1.4 focal point as of survey time. While I constantly welcome this element, you can shoot this focal point handheld in low light conditions without picture adjustment as long as the f/1.4 opening has sufficient profundity of field for your necessities.
SIGMA 24 mm f/1,4 DG HSM Art Canon
SIGMA 24 mm f/1,4 DG HSM Art Nikon
SIGMA 24 mm f/1,4 DG HSM Art Canon

SIGMA 24 mm f/1,4 DG HSM Art Canon

SIGMA 20 mm f/1,4 DG HSM Art Sony E

SIGMA 20 mm f/1,4 DG HSM Art Sony E

SIGMA 24 mm f/1,4 DG HSM Art Nikon

SIGMA 24 mm f/1,4 DG HSM Art Nikon

SIGMA ultra wide ART 20 mm

Fanatics of ultra-wide optics should observe Sigma's most recent f/1.4 Art-arrangement focal point, as the new 20mm f/1.4 DG HSM Art is their broadest one yet and along these lines a prime decision for scenes just as astrophotography. Intended for full-outline DSLRs, the Sigma 20mm f/1.4 Art offers a 94.5-degree field of view for a decent, ultra-wide viewpoint, and its amazing close-centering capacity ought to take into consideration some sensational arrangements. The focal point is perfect with APS-C cameras, also, offering a roughly 30mm successful field of view.
On a full frame camera, even at f/1.4, the Sigma 20mm f/1.4 inspires with phenomenal focus sharpness. Of course, corners show perceptible delicate quality at f/1.4, however a decent segment of the casing, generally, stays sharp. Halting down a bit, particularly to around f/2.8, truly hones things up around the edges. The focal point stays sharp all through the opening reach, even into the littler gaps. Slight diffraction related delicate quality show up at f/16.
SIGMA 20 mm f/1,4 DG HSM Art Nikon
SIGMA 20 mm f/1,4 DG HSM Art Sony E
SIGMA 20 mm T1,5 FF EF-mount
SIGMA 20 mm f/1,4 DG HSM Art Canon

SIGMA 20 mm f/1,4 DG HSM Art Canon

SIGMA 20 mm T1,5 FF EF-mount

SIGMA 20 mm T1,5 FF EF-mount

SIGMA 56 mm f/1,4 DC DN Contemporary Sony E (APS-C)

SIGMA 56 mm f/1,4 DC DN Contemporary Sony E (APS-C)





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